Norman Rockwell
(Source: tomorrowandbeyond)
1952 illustration by Milton Wolsky http://flic.kr/p/pvvB3g
(Source: notpulpcovers, via notpulpcovers)
From: DAWN OF THE DEAD (1978) Twilight of the Betamax
“…sex, gore, nudity and over-the-top violence lose their ‘kick’ very quickly; some things are better left unseen, imagined, and deferred, because sooner or later the zombie in the mirror beckons, and you start seeing monsters around every corner of your inner city eye. America’s obsession with apocalypse is a mid-life crisis: cougars and Humberts desperate to shed their skin and start over, ageless, without all those ungrateful children to worry about, and provide for. Instead of carrying forth our glorious legacy, the little buggers stab moms and moms-to-be with trowels, and write “Piggies” on the wall in their blood, and watch movies like FACES OF DEATH and CANNIBAL HOLOCAUST.
So in our haste to feign ambivalence, to ride the coaster of cine-trauma, we allowed our minds to be closed-off, faded, warped and jaded en masse. The country fell into a state of depressed, homogenized ennui. The only cure for this disaffection, naturally, was going to the mall. At least the mall gave you something to do, somewhere to go, and you didn’t have to explain why you came there. All that mattered was that youneeded... something… anything. Moms got outfits and fabric just to return later, just to have a reason to go back, to get out of the house and exchange a receipt with an information desk worker’s sympathetic ear.” (MORE)
(Source: wednesdaydreams, via filmsploitation)
Al Lewis
A MATTER OF LIFE AND DEATH I saw for the first time last fall and it completely rocked my world. I was crying and told literally anyone about it...

Wong Kar-Wai Week
Chungking Express, 1994
Cinematography: Christopher Doyle, Wai-Keung Lau
